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The fabric in its current form is limited to comfort wear.The latest in the news and spreading its eco friendly tenets is the bamboo fabric.This outfit by Anita Dongre is just what you need for a day out!It is extremely popular for its special features of moisture absorption and its anti-bacterial properties. The real brightness of each colour can be achieved in bamboo fabric.—The writer helms a fashion brand with international elements, and walks the talk when it comes to runway rousing!

The challenge for bamboo fabric to come to mainstream are two folds — firstly lack of knowledge and awareness, secondly because of the fabric’s ultra softness it has always being positioned in the comfort category. In India designers like Anita Dogre and Madhu Jain have already started experimenting with this fabric and their designer collections have made an impact . Currently though, there are not many manufacturers and not many production houses in the game as yet and we believe, it has huge scope e-ptfe vent air permeable membrane to evolve and grow. The prediction is that this will be the rage in the future.Jewellery designer and fashionista.Due to its high absorbency, it has a great colour outcome and fastness.Once you discover the fabric, you will want all your clothes to be made out of that soft material.

He believes it’s a much softer and absorbent fabric than cotton and consumes less natural resources than cotton to grow.”Bamboo fibre is softer than cotton and compared to the soft texture of pure cashmere and silk. When everyone in the world is talking about sustainable fashion and ways to “save the planet”, bamboo fabric is emerging as a winner. It can be dyed with organic dyes. It keeps you cool in summers and warm in winters. The ultra violet nature of the fibre has also made it popular especially in summers and amongst children and pregnant ladies. Great for active wear, maternity wear, inner wear, casual T-shirt’s and shorts. Fashion Network recently wrote about Etro’s beautiful eco friendly bamboo fashion where the gorgeous Kean Etro from Milan says, “The thing about bamboo is that it grows everywhere, it’s invasive. 

The fabrics of the beautifully complementary coloured غير مجاز مي باشدtumes were sourced from North India as “Kanjeevaram drapes differently” (Chitra ji); the turban worn by the Rana was in the Rajasthani style, and a host of other details that imprinted so subtly in one’s unconscious mind.The music is superb; lyrical Ragas like Jaijaiwanti, Kedara, Gorakh Kalyan are used in evocative snatches. Speaking to Bombay Jayashri about composing the music for Meera, she said “composing the music for Meera was a unique experience. Matching her aurally, Bombay Jayashri used only appropriate North Indian Ragas, “ektaal” bols (Ek taal is a North Indian music taal) during a dance sequence, the sound of the shehnai to remind one of a wedding, and much more.

The unmatched grace and dignity of Chitra Visweswaran; literally the embodiment of “bhakti” is the best portion of the production. In an ecstasy of “anand” (bliss), she swirls around, as she awaits the ultimate union with her bridegroom, the merging with the Lord, to the haunting song of “mera olagiya” (my bridegroom is coming) in Raga Des, sung inimitably by Bombay Jayashri.Meera, the 14th century mystic Krishna “bhakt” conjures up an image of the desert of North India. The music is composed by Carnatic “Nightin-gale of the South” Vidushi Bombay Jayashri; the songs sung by herself and her Carnatic music trained disciples. It is an eye opener to see her name and work in a South Indian context. When Jayashri changes the Raga of even a familiar much loved and universally heard bhajan like “mharo pranam” (which has been rendered immortally by the late Gaansaraswati Kishori Amonkar in Raga Aiman Kalyan) to Mishra Pahari, there is no feeling of being let down.Meera, the 14th century mystic Krishna “bhakt” conjures up an image of the desert of North India. Meera Bai’s overwhelming love for her Lord comes through inescapably throughout the play, making it truly a spiritual experience.

Speaking about the music, Jayashri recalled “I remember “Jhoolat Radha sang Gir-idhar” was in Raga Vrind-avani Sarang; Vrindavani Sarang in my mind brings me the very essence of Vrindavan; the fragrance of that earth, the mood of togetherness, the “shringaar”. The limited narrative is in English (indeed, in an Indian context one does not really need this, as the visuals are so telling).The synergy between the aural and visual experience is another highlight of this production; the mutual respect between the dance legend and Vidushi Bombay Jayashri and their closeness creatively is visible water permeability of fabric in every scene. The adult Meera Bai is the extremely dexterous SNA Yuva awardee Uma Sathya Narayanan, whose graceful dancing to the familiar “pag ghunghroo baandh Meera nachi” is haunting.” After the performance, Chitra Visweswaran said that without Jayashri’s music the production would have been very different and incomplete, and that she wished Jayashri had been present, in Shimla, for this first performance of Meera- The Soul Divine, in North India. Speaking of the Carnatic element in the production, Jayashri said essentially it was only through the dance, (bhaاين نام مجاز نمي باشدnatyam); the North Indian music was interspersed with the “jatis” (the nritya bol, the language of the mridangam)

Between 2008-11, it grew at more than 9 per cent. In consonance with global trends India’s growth also has tapered off these past two years. Nevertheless, overall the trends have never been like this before and there is optimism about the long term, despite recent troubles. It is a country where many state GDPs are bigger than that of many countries.The size of Maharashtra’s economy would place it just about alongside as Singapore and bigger than Hong Kong or Nigeria. This overall performance, however, masks a diversity of performances. 

While the government tries to downplay the numbers by having a somewhat self-serving index (now 22 per cent), other measures such as the UNDP’s .25 a day suggest that almost 37.5 per cent  of Indians live in dire poverty. At a day as much as 70 per cent   of India is below an internationally determined basic standard of living index.Others indices are just as damning. India’s abysmal track record at ensuring basic levels of nutrition is the greatest contributor to its poverty as measured by the new international Multi-dimensional Poverty Index (MPI). About 645 million people, or 55 per cent, of India’s population is poor as measured by this composite indicator made up of 10 markers of education, health and standard of living achievement levels.

A person is defined as poor if he or she is deprived on at least three of the 10 indicators. By this definition, 55 per cent of India was poor, close to double India’s much-criticised China EPTFE waterproof and breathable membrane official poverty figure. Almost 20 per cent of Indians are deprived on six of the 10 indicators.But even more a matter of concern is the growth regional disparities. Eastern India has been languishing and has the densest concentration of poverty, while the northern and southern states have showed very good performances on this front. India’s west has its main industrial centers and naturally overall figures tend to be good here. But if the big cities are removed, here also we get a bit of a dismal picture. 

But does India still have an extractive political system? Many economists will argue that the data suggests just this. When we see the evolving politics through this prism, we have an answer for the growth of family or clan-dominated political parties on one side, and the notable expansion of the upper classes and the growing power of family-owned businesses.Certain cultures and groups seem to have a greater propensity towards material wealth. The Sikhs, Gujaratis and Marwaris in India, for instance, are more entrepreneurial and contribute far more to India’s overall economic wealth creation than others. Kerala has India’s highest HDI. It has near universal literacy. 

Between 2008-11, it grew at more than 9 per cent. In consonance with global trends India’s growth also has tapered off these past two years. Nevertheless, overall the trends have never been like this before and there is optimism about the long term, despite recent troubles. It is a country where many state GDPs are bigger than that of many countries.The size of Maharashtra’s economy would place it just about alongside as Singapore and bigger than Hong Kong or Nigeria. This overall performance, however, masks a diversity of performances. The Human Development Index (HDI) of Kerala is India’s highest at 0.790, which would place it ahead of China, while at the other end of the spectrum is Chhattisgarh with 0.358, which would place it just alongside Chad, one of the world’s poorest and most backward countries. At 0.790, Kerala would find a place in the high HDI list of nations.The incidence of poverty is always a contentious matter in India.

While the government tries to downplay the numbers by having a somewhat self-serving index (now 22 per cent), other measures such as the UNDP’s $1.25 a day suggest that almost 37.5 per cent  of Indians live in dire poverty. At $2 a day as much as 70 per cent   of India is below an internationally determined basic standard of living index.Others indices are just as damning. India’s abysmal track record at ensuring basic levels of nutrition is the greatest contributor to its poverty as measured by the new international Multi-dimensional Poverty Index (MPI). About 645 million people, or 55 per cent, of India’s population is poor as measured by this composite indicator made up of 10 markers of education, health and standard of living achievement levels.The new data also shows that even in states generally perceived as prosperous, such as Haryana, Gujarat and Karnataka, more than 40 per cent  of the population is poor by the new composite measure, while Kerala is the only state in which the poor constitute less than 20 per cent. The MPI measures both the incidence of poverty and its intensity.

A person is defined as poor if he or she is deprived on at least three of the 10 indicators. By this definition, 55 per cent of India was poor, close to double India’s much-criticised China EPTFE waterproof and breathable membrane official poverty figure. Almost 20 per cent of Indians are deprived on six of the 10 indicators.But even more a matter of concern is the growth regional disparities. Eastern India has been languishing and has the densest concentration of poverty, while the northern and southern states have showed very good performances on this front. India’s west has its main industrial centers and naturally overall figures tend to be good here. But if the big cities are removed, here also we get a bit of a dismal picture. Clearly the southern and northern states seem to be doing better.While economic institutions are critical for determining whether a country is poor or prosperous, it is politics and political institutions that determine what economic institutions a country has. Some states are structured around "extractive political institutions" where the institutions serve to satisfy the aspirations of a narrow elite alone. Colonialism was clearly an extractive political system.

But does India still have an extractive political system? Many economists will argue that the data suggests just this. When we see the evolving politics through this prism, we have an answer for the growth of family or clan-dominated political parties on one side, and the notable expansion of the upper classes and the growing power of family-owned businesses.Certain cultures and groups seem to have a greater propensity towards material wealth. The Sikhs, Gujaratis and Marwaris in India, for instance, are more entrepreneurial and contribute far more to India’s overall economic wealth creation than others. Kerala has India’s highest HDI. It has near universal literacy. It has the longest longevity and IMR indices. Yet Kerala doesn’t have much by way of industry, more specifically private industry.In a global system having almost 200 independent states at various states and stages of development, we can have a wide disparity, as each one of these economies represents a sovereign entity bounded by a border. But in a system that is bound by its Constitution, its history and its civilization as one, as is India, can we afford to risk too much diversity in economic well-being?